In the last post I covered why many people say they enjoy “exciting” stories when in reality they just divulge themselves in rather trite, stockish fare. However, I forgot to touch on why these people like the archetypal stories in the first place.
It’s simple, really: because they’re simple. That may sound a bit weird, so allow me to elaborate. Simple stories with basic plot lines and common literary elements are easily recognizable by the public, and thus more readily embraced. Familiarity is preferred over the unexplored vastness, especially when it comes to something that demands a considerable amount of one’s time and attention. People would rather sit through a movie or read an entire book if they had a pretty good feeling that the protagonist would triumph, and that the sequence of events occurred in a timely manner and remained unchanged (Exposition, lots of rising action, climax, a bit of falling action, and a denouement to top it all off–ooh, and throw in a romance! Everybody loves a romance.). And if they like one story that follows these standard guidelines, odds are they’ll like others that are similar. These people will have a more difficult time enjoying stories that are unconventional and break the rules because they’re afraid to journey into the unknown and try something new, to risk a bit of effort to discover what breaks the standards.
Please don’t misinterpret me–I am not saying this archetypal story structure is the Great Plague of Literature or anything like that. In fact, I enjoy this structure in both book and film form from time to time as a bit of relaxation from the heavier pieces. However those heavier pieces allow me to be more intellectually involved, to dig deeper into them and analyze their messages more thoroughly, and to experience tales that don’t fit into the standard mold. But, sadly, relaxation turns into escapism for most and once getting lost in that they rarely ever venture back out. I guess they could use a better map.